This Saturday Free the Wax will have one of their very well directed events, this time bringing ONRA to The Shelter. In preparation we’ve got a review of the beatmaker’s newest album 1.0.8. You can listen to the album while you read it.
It’s with heavy regret that I must admit it is unfortunate I was born Chinese. If that seems like a self-defeating statement from someone who doesn’t respect himself, well that’s not the case; I love being Chinese and being part of a deep and storied culture, just as I love the fact that I get to witness in my lifetime the rise to prominence of a great nation whose time has been long in the making. You know – my people. However, my ethnicity was never so problematic for me before I came to China a few years ago; you see, I have the unfortunate disadvantage of being a foreigner who looks Chinese.
In which our intrepid correspondent journeys deep into hippie/yuppie land to sample some of the most anti-hippie/yuppie music there is.
I was at the last day of the Zhajiang Dream Factory mini-festival this past Friday night. This was the third year of this new and hopeful tradition here in Shanghai, an event that attempts to cross the cultures of Germany and China under the catchy, if sinister sounding, heading of “German Tunes for Chinese Ears.” [...]
This one is from some time ago, with all the activity it got mixed with other articles and it just came out of the chaos we are having these days here (actually Mark himself rescued it from the abyss where all unpublished articles go to float… we should do a compilation of those once). Anyway, better later than never, here Life Journey’s gig on YuYinTang, reviewed by Mark, aka M.E. Seeley, the evelish duck. …Sorry Mark, it will never happen again.
He says his influences go from old classic such as Chopin, to new classics like Boards of Canada, and his sounds have been compared with those of Flying Lotus, Burial, Battles, and Ratatat. Jason Chung, aka Nosaj Thing is emerging from darkness, straight into the spotlights with laptops, beating gadgets, and good vibes to forge [...]
There are two massive hip-hop shows in Shanghai this week. For a preview of the chronological first, check out the Mobb Deep Preview on Layabozi. The second is an appearance by Ghostface Killah, who is well known in the hip-hop world from his work with Wu-Tang Clan and, more recently, his solo work, which includes the albums Ironman, Supreme Clientele, Bulletproof Wallets, Fishscale, and The Big Doe Rehab.
Mobb Deep is coming to Shanghai. Um, what? I cannot fathom a group with a perspective more perpendicular to the pampered expatriate persuasion, but that’s what’s cool about it.