“I can’t believe this is happening. I can’t believe Ratatat is playing!” said one concertgoer last Thursday night at the Zhijiang Dream Factory. Believe it, sister. We were packed in on the floor so tight I am still picking her DNA out of my elbow as I transmit this dispatch. Me? I was trying to believe that someone else was as cuckoo for this Brooklyn band as I was.
Last week our editor’s picks were in tune with my mood for music, and I followed the instructions provided by Mike “Big Duck” Brownell almost to the letter.
演奏合成器的Evan Mast和吉他家Mike Stroud,也被称为Ratatat,是具有一个灿烂的未来的经典作曲家。 他们收集并用了一序列旧和新的工具来创作一种应在头脑的深处里演奏的分层、数字化改变的杰作。从些长发的人采集并点燃了几条树枝以后,我们没看到过这么全新的事情。他们让我们明白只要把自己的匠心潜力增加到最大限度音乐就会得到的效果。
Synthesizer driver Evan Mast and guitarist Mike Stroud, otherwise known as Ratatat, are classical composers for a brilliant new future. They have collected and utilized an array of old- and new-fangled tools to create layered, digitally altered masterpieces to play in the deep recesses of mind space.
You know the score, but this week there’s an bonus Conflict of Interest Pick!
Win tickets to Saturday’s YYT show! Click through to find out how.
Here’s my review of what they did with Cut Off!:
Dark.
Very Dark.
I think its safe to put this in the Gothic Rock section.
The Shanghai music blogosphere has been hotly discussing some changes taking place over at the Dream Factory, involving Indietop label owners, Soma. It sounds like things are not looking so hot for the future of this venue. Andy Best’s blog is the best place to start.
Saturday, September 13th, 8.30pm. Shanghai will be entering the red zone of the thermometers and the epicenter is going to be Dream Factory’s stage. Not far away from the harmonic Jing An Temple and the peaceful Jade Buddha Temple, the loudness and the chaos will explode in pleasant agreement with our bodies; we all will [...]